![]() ![]() ![]() Following her first film, the forgettable MGM Western "20 Mule Team" (1940), Baxter had supporting roles in a handful of Fox productions and was criticized for her rather ripe performance in Jean Renoir's melodramatic "Swamp Water" (1941). Her parents were initially against letting the still underage girl accept, but relented when family friend and veteran actor Nigel Bruce agreed to let her live with him and his wife.įox did not initially know what to do with Baxter, so she was sometimes loaned out to other studios. While the studio felt she was too young for that role, the higher-ups were impressed and Baxter was instead offered a seven-year contract. She was invited to do a screen test for 20th Century Fox's production of "Rebecca" (1940). The granddaughter of famed architect Frank Lloyd Wright, she received the balance of her education in private schools and honed her acting skills by appearing in summer stock productions. At age 13, Baxter made her acting debut in the Broadway production "Seen But Not Heard" (1936) and returned to The Great White Way two years later in "There's Always a Breeze" (1938) and "Madame Capet" (1938). She also received instruction from famous character actress Maria Ouspenskaya, a devotee of Constantin Stanislavski's reality based "Method" style. It was that sort of versatility and professionalism that allowed Baxter to earn numerous credits in three different mediums over a career spanning almost 50 years.īorn in Michigan City, IN on May 7, 1923, Anne Baxter was interested in acting from a young age with her parents' encouragement, she attended the Theodora Irvine School of Theatre for two years. Principal among these was "Applause" (1972), a musical re-working of "All About Eve" for the stage in which the now older Baxter successfully assumed the role of the character she had deceived in the film. The movie assignments offered to Baxter in the wake of those triumphs were often not worthy of her skills, but she still managed to give consistent and laudable performances, particularly in projects that suitably challenged her. DeMille's religious epic "The Ten Commandments" (1956). However, she was best remembered for her indelible performances as a ruthless, success-driven young actress in "All About Eve" (1950) and the gorgeous and nefarious Nefretiri in Cecil B. Her early films were not of consistent quality, but the lovely, husky-voiced actress usually managed to make a positive impression and showed genuine ability in pictures as varied as Orson Welles' "The Magnificent Ambersons" (1942), "Five Graves to Cairo" (1943) and "The Razor's Edge" (1946), winning a Best Supporting Actress Oscar for the latter. A luminous screen presence best known for a handful of roles, Anne Baxter acted in three Broadway productions while still in her teens and was soon invited to Hollywood. ![]()
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